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Editing Tennis League IV

From Chewiki Archive - YouChew: 1% Funny, 99% Hot Gas

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On October 31st dew escaped homelessness and was soon reunited with her old computer, and after readjusting her setup began to finally work on Round 4, tentatively titled "response". It had been roughly 6 months since the match's beginning by this point. While no longer attempting to make the new longest tennis round, dew did successfully manage to include all of the main components that she had wanted to include in the video overall. The video's beginning featured elaborate visuals set to "The Power to Believe II" by King Crimson, considered to be some of dew's most intense visuals ever, introducing the onscreen text signifying the length of time that had passed since Round 3 and the amount that dew had been through in the interfering time.
 
On October 31st dew escaped homelessness and was soon reunited with her old computer, and after readjusting her setup began to finally work on Round 4, tentatively titled "response". It had been roughly 6 months since the match's beginning by this point. While no longer attempting to make the new longest tennis round, dew did successfully manage to include all of the main components that she had wanted to include in the video overall. The video's beginning featured elaborate visuals set to "The Power to Believe II" by King Crimson, considered to be some of dew's most intense visuals ever, introducing the onscreen text signifying the length of time that had passed since Round 3 and the amount that dew had been through in the interfering time.
  
The next three sections harked back to dew's earlier matches in the tournament, which were all distinctively different from each other mood wise and concept wise. The first was a direct connection to her serve to CorruptionSound; while the serve used "A New Machine - Part 1, this section now featured the second half, "A New Machine, Part 2", using the same keyframe edits and image to create the same effect. The section following it was an intense B&W monochrome strobed peice lasting several minutes with "The Wipe" and "Jargon King" by Peter Hammill acting as backing music, as a callback to dew's Round 3 with Razerek and also calling back to her Round 4 with MycroProcessor in using the same video peices she had used to make that round. The section following this was an eerie ambient section with sudden loud cuts to a veg replace of dew's Round 4 with fiv95, with the 3D frames replaced with Ninero's Round 3 and the music replaced with a song by dew herself called "Spinfeather". After which dew delivered her official "response" to Ninero's "message" against a blue visual background, while making the comment that this could end up being the last round of the League since theFXexpert at this time was no where to be seen. The response was seen as a confirmation of reformation in dew's character and outlook, now being much more positive and calm and friendly, even encouraging Ninero that he could very well end up winning the League due to the amazing output he had had. To date, this round is the last round of the League, and one of the few tournament matches to actually complete after having been failed in competition.  
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The next three sections harked back to dew's earlier matches in the tournament, which were all distinctively different from each other mood wise and concept wise. The first was a direct connection to her serve to CorruptionSound; while the serve used "A New Machine - Part 1, this section now featured the second half, "A New Machine, Part 2", using the same keyframe edits and image to create the same effect. The section following it was an intense B&W monochrome strobed peice lasting several minutes with "The Wipe" and "Jargon King" by Peter Hammill acting as backing music, as a callback to dew's Round 3 with Razarek and also calling back to her Round 4 with MycroProcessor in using the same video peices she had used to make that round. The section following this was an eerie ambient section with sudden loud cuts to a veg replace of dew's Round 4 with fiv95, with the 3D frames replaced with Ninero's Round 3 and the music replaced with a song by dew herself called "Spinfeather". After which dew delivered her official "response" to Ninero's "message" against a blue visual background, while making the comment that this could end up being the last round of the League since theFXexpert at this time was no where to be seen. The response was seen as a confirmation of reformation in dew's character and outlook, now being much more positive and calm and friendly, even encouraging Ninero that he could very well end up winning the League due to the amazing output he had had. To date, this round is the last round of the League, and one of the few tournament matches to actually complete after having been failed in competition.  
 
{{VidCaption|HpVqHzSSp3Q|CorruptionSound vs. MycroProcessor, Round 1}}
 
{{VidCaption|HpVqHzSSp3Q|CorruptionSound vs. MycroProcessor, Round 1}}
 
Much like the rematch with dew two matches before, CorruptionSound now got another rematch in the form of '''CorruptionSound vs. MycroProcessor''', a precise duplicate of the match with the same order in the [[Tennis Cup IV]] minus two rounds, and coincidentally in another tournament that was a 4th installment of its original. Here the second long-labored serve would be deployed and be a large return to the faster and more complicated style that he used in 2011, which won a lot of praise from viewers. Source wise it reused a lot of the same material as the previous serve but also added in what TheChutley called "a fucking primordial soup of sources" on top of it, using in total for the serve:
 
Much like the rematch with dew two matches before, CorruptionSound now got another rematch in the form of '''CorruptionSound vs. MycroProcessor''', a precise duplicate of the match with the same order in the [[Tennis Cup IV]] minus two rounds, and coincidentally in another tournament that was a 4th installment of its original. Here the second long-labored serve would be deployed and be a large return to the faster and more complicated style that he used in 2011, which won a lot of praise from viewers. Source wise it reused a lot of the same material as the previous serve but also added in what TheChutley called "a fucking primordial soup of sources" on top of it, using in total for the serve:

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